![]() ![]() The precise dating of the west façade of Reims Cathedral is debated among specialists due to various halts in its construction which resulted in the west façade being redesigned three times after the decision to rebuild the previous cathedral was taken in 1207. This building claims an important place in the history of medieval art as the coronation site for French kings and for possessing one of the most influential architectural and sculptural programmes in the development of Gothic architecture. Reims Cathedral – the Apocalypse in SculptureĪt approximately the same time as illustrated Apocalypses were gaining in popularity in England in the mid-thirteenth century, the only monumental Apocalypse cycle to be carved in stone was erected on the west façade of Notre-Dame Cathedral in Reims, located in the Champagne region of France. The illustrated French Apocalypses from the late thirteenth to the mid-fourteenth century are given particular attention in this essay, as it is the most productive and popular period for their production in France, and among them the Val-Dieu Apocalypse is most certainly one of the very finest examples. The only country that, from the early ninth century to the early sixteenth, has a continuous tradition of depicting the Apocalypse in art is France. Throughout the Middle Ages in Western Europe, the Apocalypse was the most popular book of the Bible as a single text to be fully illustrated with a set of pictures, beginning as early as the fifth century. ![]()
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